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There’s more to connecting up your wedges than meets the eye! Being methodical and tidy reduces margin for error, and makes a good impression.
The beauty of the “grealing” system is that once all is properly labeled, patching up your stage is simple and easy. Top tips on reducing margins for error.
Setting your mics stands up properly prevents embarrassing moments in a show. Justin shows you how to set up bullet-proof stands.
Drooping microphones are not acceptable as it is, in fact, avoidable. Learn how to be more professional and impress your clients.
There are many ways to coil a cable, but Justin’s preferred method has the added advantage of being a noise-cancelling coil when the cable is in use.
We hear with two ears, so imitating stereo location clues with the overhead mics helps our brains to perceive the recording as realistic.
Positioning your kick drum within the live room makes all the difference in getting the best out of the low end. Phase comes into play yet again.
A Day In The Life Of A Sound Engineer with Bombay Bicycle Club at Brixton Academy. Live Sound Engineering by Jon Burton (Soulsound). Timelapse by Davide Roveri Visuals (vimeo.com/davideroveri).
The correct technical terminology is important when talking about the stage and theatrical terms can be confusing. Not any more...