Jon’s Favourite Gear – Vintage Roland Tape Delay
Vintage gear definitely still has a place in the modern studio. Jon Burton discusses his favourite analogue delay – the Roland RE-301 Chorus Echo.
Jon Burton has been sound engineering since leaving school. As a monitor and front of house engineer he has worked at the highest level with acts such as Stereophonics, Pendulum and, for the last ten years, The Prodigy.
Jon has also delivered guest lectures in colleges and universities from Newcastle to Serbia. Jon also runs a recording studio complex in Sheffield as well as maintaining an ever growing collection of vintage mixing desks for rental.
He has a broad knowledge of many aspects of sound engineering, from live, to studio and broadcast. His love of sub is well known, as is his interest in echo machines, with a collection that currently stands at around 25 different units.
Vintage gear definitely still has a place in the modern studio. Jon Burton discusses his favourite analogue delay – the Roland RE-301 Chorus Echo.
A Day In The Life Of A Sound Engineer with Bombay Bicycle Club at Brixton Academy. Live Sound Engineering by Jon Burton (Soulsound). Timelapse by Davide Roveri Visuals (vimeo.com/davideroveri).
See the mixer from Jon’s view as he rustles up a mix of the Gomez track, “Options”, demonstrating the speed with which live engineers have to work.
Walking the room to check the dispersion and the balance.
Jon and Justin set up the front of house console in The Plug. There are many things that need to be considered when choosing a mix position.
Jon and Justin, as visiting engineers at The Plug in Sheffield, explore their territory and assess the tools at their disposal.
Jon & Justin investigate the house system in the Plug, Sheffield
How to assess your audio environment, set up your work space and a channel-by-channel look at getting a mix together.
Can you explain a bit about your attitude to working with the house guy in a venue ?
Working on the overheads and balancing the kit.
Working on the snare drum.
What is the most radical thing you’ve ever done in order to put on a show?