How important is sound quality to our audiences? Or are we as sound engineer just more interested in sound than anyone else? What makes a good show? Is it your moral duty to have two pints of beer before a show? Does knowing all the words unintentionally change the way you mix vocals? Do you really only need five channels to get a mix going? Should audiences be offered headphones at live gigs? And what are we going to do to improve education in audio?

Getting a Foot in the Door

Getting a Foot in the Door

How to Make Your Way in the Live Sound Industry
eBook by Darryn de la Soul

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Dr. Peter Lennox, University of Derby
“Excellent, down-to-earth, practical advice pitched bang on the target audience.”

Leah Brooker, Sound Engineer
“It really was a lightbulb moment and reading your story gave me the feeling of yes, I can and a much needed kick up the backside. You really are one inspirational lady!”

Breixo Giraldo
“It is undoubtedly the most useful user manual I’ve read in a long time”