Jon gets out from behind the desk to hear what it sounds like in the rest of the room. Because of his mix position, it sounds slightly different from where he stands to what everyone else is hearing, so it’s important to walk the room and get a feel for any differences that you need to accommodate in your mix.
See the mixer from Jon’s view as he rustles up a mix of the Gomez track, “Options”, demonstrating the speed with which live engineers have to work.
Jon and Justin, as visiting engineers at The Plug in Sheffield, explore their territory and assess the tools at their disposal.
Jon and Justin set up the front of house console in The Plug. There are many things that need to be considered when choosing a mix position.
Jon & Justin investigate the house system in the Plug, Sheffield
Jon gives us a comprehensive tour of the Soundcraft series 5.
Jon gives a comprehensive tour of the Soundcraft Series 5’s master section.
Jon gives us a unit by unit breakdown of the various pieces of outboard in the effects rack.
Jon talks about patching and connecting the console.
Jo gets to work on the kick drum.
Working on the snare drum.
Working on the overheads and balancing the kit.
Working on the acoustic guitar
Why it's best to work at the zero point of the faders.
Working on the electric guitar and the keys.
Working on the vocals and introducing effects.
Getting a basic mix together.