The Camden Sound Sessions: Vocal Compression Webinar
Under discussion is Jonathan Espinosa’s “Blender” method of using multiple compressors on a single sound source and other vocal compression techniques.
Under discussion is Jonathan Espinosa’s “Blender” method of using multiple compressors on a single sound source and other vocal compression techniques.
Can you explain a bit about your attitude to working with the house guy in a venue ?
Marcel van Limbeek tells us why being a sound engineer is such a great career choice.
Justin Grealy shares his passion for his job.
Jon Burton answers your questions about life as a live sound engineer.
Are compressed audio files acceptable?
Marcel’s answer is clear. “If you love music, then compressed files are no good. That is the end of it.”
How can I make live drum recordings sound more vintage and aged?. This simple question has a simple answer: Use vintage equipment and recording techniques. Easy? Of course not.
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What is the most challenging thing when sound engineering for Tori Amos?
“I have the best job in the world.” Jon Burton tells us why.
We meet Bob Heil, CEO/Founder of Heil Sound for a chat at the Music Production Show 2013.
When recording vocals, what is your suggested position for the mic, how far would the singer be from it and how might that vary?
What is your favourite creative effect to use in production besides EQ and compression?